A colony of Wallace Neff’s bubble houses (“maisons ballons”) in Dakar — as they look now -
And as they looked in 1949, when they were built -
Cecil Alexander’s circular house in Atlanta, on the cover of Florida Architect in April 1958. Finished in 1957, the house was featured in Life magazine in November of that year, and in Progressive Architecture in November 1959.
Back in the late 1950s, when living in the suburbs was understood to be the common aspiration of mankind, the magazine Suburbia Today asked this question of its readers. In an article about the “unusual suburban home” of Mr. and Mrs. Walter Benson, whose circular floor plan offered ample open space for entertaining guests, it gave an appealing glimpse of life in the round.
Stunning views, tasteful furnishings, elegant cocktail parties — a round home was modern and glamorous, the magazine suggested.
The Walter Bensons wanted their house to be round so that they could get maximum exposure to their magnificent views. To live way, way up on the top of a mountain in a house that seems to melt in with its surroundings; to look freely all about you and see the mountain ridges to the side, the bay and ocean below, and the teeming city across that you must be part of and yet can turn away from at will — this was the dream of the Bensons.
Built in 1950, the house was said to be in terrible shape in 1998 when it was bought and restored by actress Kelly Lynch and writer Mitch Glazer. Lautner principal Helena Arahuete led the restoration, and the original builder, John de la Veaux, came back to assist on it.
The swirling living room is stunning.
Time and again, when people are asked to choose between an object that’s linear and one that’s curved, they prefer the latter. That goes for watches with circular faces, letters rendered in a curly font, couches with smooth cushions — even dental floss with round packaging.
Recently neuroscientists have shown that this affection for curves isn’t just a matter of personal taste; it’s hard-wired into the brain …. “Curvature appears to affect our feelings, which in turn could drive our preference.”
Buckminster Fuller’s first Dymaxion House, sketched out in 1927, was a hexagonal design suspended from a central mast.
By 1945, when Fuller entered into an agreement with Beech Aircraft Corporation to mass produce the house, its plan was circular. Asked later about the Dymaxion House’s unusual form, Fuller said that functional rather than aesthetic considerations determined his choice. “We did nothing arbitrary,” he emphasized. “We were not trying to make a cute house. Its shape is due to the solution of our problems of space, weight and mass production.”
“We are living in a spheroidal universe. A round spheroidal world—not a cubicle sugar lump world.”
– Buckminster Fuller, in 1929, presenting an early model of the Dymaxion House.