Archives For ’40s

pleasantly round

December 3, 2017 — 1 Comment

A beautiful double-round house designed by Frank Lloyd Wright is now for sale in Pleasantville, New York. Built in the late 1940s, the house’s circular design prefigures the Guggenheim Museum in NYC.

11_Orchard_Brook_Dr_02_of_100_.jpg

11_Orchard_Brook_Dr_15_of_100_.jpg

11_Orchard_Brook_Dr_64_of_100_.jpg

11_Orchard_Brook_Dr_93_of_100_.jpg

11_Orchard_Brook_Dr_51_of_100_.jpg

The asking price is $1.5 million.

Advertisements

Two of the most creative architects ever to embrace the round form, Frank Lloyd Wright and Bruce Goff, were both born on June 8—Wright in 1867, and Goff in 1904.

For Wright, the circular form symbolized freedom, an escape from the traditional residential box. As he explained in 1952, “a box is a containment. I tried to abolish the box.” Wright designed at least 14 round and semi-circular houses, as well as, most famously, the spiraling Guggenheim Museum in NYC. Not all of his round house designs were built; sadly, some of his most beautiful and innovative efforts never made it beyond the planning stage.

Wright’s 1938 project for Ralph Jester, meant for a suburban housing community in Palos Verdes, California, was his first attempt at a circular residence –

jester house plans

Another unbuilt round house was the Ludd M. Spivey house, which Wright designed during the same period.

Continue Reading…

Designed by maverick American architect Bruce Goff, the Ruth Ford House — known variously as the Round House, Coal House, and Umbrella House — is a creative tour de force.  It could not look less like neighboring houses in suburban Aurora, Illinois, where it was built in 1947-49, and local people took it as an architectural affront. Fortunately, as the photo below attests, the owners of the house were undaunted –

goff, ford house, life mag, 1951

Life Magazine published a several-page spread on the house in 1951, with lovely color photos by Eliot Elisofon of the house’s interior and exterior.

On the grounds of an abandoned military base in southern New Jersey, there survives a small collection of Buckminster Fuller’s Dymaxion Deployment Units (DDUs), the innovative designer’s WWII-era effort to create an inexpensive, portable housing system.

fuller_inventions Continue Reading…

Buckminster Fuller’s first Dymaxion House, sketched out in 1927, was a hexagonal design suspended from a central mast.

fuller, hexagonal model fuller dymaxion 1927

By 1945, when Fuller entered into an agreement with Beech Aircraft Corporation to mass produce the house, its plan was circular. Asked later about the Dymaxion House’s unusual form, Fuller said that functional rather than aesthetic considerations determined his choice. “We did nothing arbitrary,” he emphasized. “We were not trying to make a cute house. Its shape is due to the solution of our problems of space, weight and mass production.”

Continue Reading…

pittsburgh press - 4-12-46News of Buckminster Fuller’s circular aluminum house, complete with artist’s rendering, in the Pittsburgh Press, on April 12, 1946 –

 

 

INT, exhibition hall, men and women stand around a low display table showing a scale model of a circular home. R. Buckminster Fuller is interviewed by a man in a suit.

Man: “Mr. Fuller, why a . . . a round house???”

Fuller: “Why not? The only reason that houses have been rectangular all these years is that, that is all we could do with the materials we had. Now with modern materials and technology, we can apply to houses the same efficiency of engineering that we apply to suspension bridges and airplanes . . . . The whole thing is as modern as a streamlined plane.“

Continue Reading…

a new kind of house

October 25, 2013 — 1 Comment

fuller house 2, nytimes, 1946

Continue Reading…

wish you were here

September 28, 2013 — Leave a comment

Vintage postcards of round houses from Somerville, Massachusetts to Nunspeet, Holland. Only two of these homes are still standing –

somerville round house 1913

round house, luddendenfoot, UK

Continue Reading…

an affinity for curves

December 7, 2012 — 3 Comments

With the death of Brazilian architect Oscar Niemeyer on December 5, the world has lost a leading proponent of curved, rounded, wavy and spiraling forms. A modernist innovator, Niemeyer, who began working in the late 1930s, eschewed the straight lines and boxy shapes that had characterized modernism up to that time.

niemeyer staircase

“Right angles don’t attract me. Nor straight, hard and inflexible lines created by man,” explained Niemeyer in The Curves of Time, his 1998 memoir. “What attracts me are free and sensual curves. The curves we find in mountains, in the waves of the sea, in the body of the woman we love.”

Continue Reading…