happy birthday frank lloyd wright & bruce goff!

Two of the most creative architects ever to embrace the round form, Frank Lloyd Wright and Bruce Goff, were both born on June 8—Wright in 1867, and Goff in 1904.

For Wright, the circular form symbolized freedom, an escape from the traditional residential box. As he explained in 1952, “a box is a containment. I tried to abolish the box.” Wright designed at least 14 round and semi-circular houses, as well as, most famously, the spiraling Guggenheim Museum in NYC. Not all of his round house designs were built; sadly, some of his most beautiful and innovative efforts never made it beyond the planning stage.

Wright’s 1938 project for Ralph Jester, meant for a suburban housing community in Palos Verdes, California, was his first attempt at a circular residence –

jester house plans

Another unbuilt round house was the Ludd M. Spivey house, which Wright designed during the same period.

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“we don’t like your house either”

Designed by maverick American architect Bruce Goff, the Ruth Ford House — known variously as the Round House, Coal House, and Umbrella House — is a creative tour de force.  It could not look less like neighboring houses in suburban Aurora, Illinois, where it was built in 1947-49, and local people took it as an architectural affront. Fortunately, as the photo below attests, the owners of the house were undaunted –

goff, ford house, life mag, 1951

Life Magazine published a several-page spread on the house in 1951, with lovely color photos by Eliot Elisofon of the house’s interior and exterior.

dreaming of a dymaxion house of the future

Buckminster Fuller’s first Dymaxion House, sketched out in 1927, was a hexagonal design suspended from a central mast.

fuller, hexagonal model fuller dymaxion 1927

By 1945, when Fuller entered into an agreement with Beech Aircraft Corporation to mass produce the house, its plan was circular. Asked later about the Dymaxion House’s unusual form, Fuller said that functional rather than aesthetic considerations determined his choice. “We did nothing arbitrary,” he emphasized. “We were not trying to make a cute house. Its shape is due to the solution of our problems of space, weight and mass production.”

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a house as modern as a plane

INT, exhibition hall, men and women stand around a low display table showing a scale model of a circular home. R. Buckminster Fuller is interviewed by a man in a suit.

Man: “Mr. Fuller, why a . . . a round house???”

Fuller: “Why not? The only reason that houses have been rectangular all these years is that, that is all we could do with the materials we had. Now with modern materials and technology, we can apply to houses the same efficiency of engineering that we apply to suspension bridges and airplanes . . . . The whole thing is as modern as a streamlined plane.“

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